Seabiscuit: An American Legend by Laura Hillenbrand, 4/5
This true story wasn’t quite as readable as I’d expected, having been absolutely blown away by Hillenbrand’s later work Unbroken. I was partly to blame for approaching the book with a skepticism that made me look disconsolately for footnotes where there were none. For some reason, I just couldn’t escape the nagging question “does she really know what all the people in her story said and felt, or is she just making it all up?” I would have had a much more enjoyable experience if I’d read the end notes, acknowledgements and interview with the author at the end of the book first. These sources helped me realize the insane amount of time and energy Hillenbrand, already an accomplished equestrian author, put into researching the story of Seabiscuit.
I just have to point out how bizarre it is that the horse’s face didn’t make it onto the cover of the book! Even the image on the spine is of the jockey, not his famous steed.
Why I read it: I was looking for something light to read while traveling and Seabiscuit had been on my radar for quite a while.
The Field Guide: The Art, History and Philosophy of Crop Circle Making by Rob Irving and John Lundberg, edited by Mark Pilkington, 2/5
This book, bizarrely, seems to affirm the mystic nature of crop circles (in the process, condoning the associated pseudo-science and quackery of self-styled “experts” in the field) while completely denying crop circles’ otherworldly origins so blatantly as to give instructions for their creation and to interview the men credited with starting the whole phenomenon back in the 1980s. At least, that’s what I understood from the rambling, incomplete sentences in this confused and cluttery little book, which is so deficient as to lack even good photographs of the patterns it describes. The only redeeming feature of this little disaster is the informative interviews with crop circle makers at the end.
Why I read it: the title caught my eye in a used bookstore.
Start with Why: How Great Leaders Inspire Everyone to Take Action by Simon Sinek, 2/5
Sinek poses an interesting premise: companies wishing to develop an extremely loyal customer base and have the greatest influence on society and industry must let a clear sense of why they do what they do influence all decisions about what and how. By communicating a sense of purpose and how this purpose fits into the bigger picture of life, a business can ostensibly attract similarly-minded, passionate customers and ultimately have the freedom to be more innovative and influential than the faceless corporations trapped in “features” battles with each other, desperate to manipulate buyers with endless “deals” and minute spec improvements. Sinek basically argues that companies should function like good people, with strong character, ethics and a sense of higher purpose, instead of being focused solely on the bottom line. In fact, he goes so far as to say that “The goal of business should not be to do business with anyone who simply wants what you have. It should be to focus on the people who believe what you believe. When we are selective about doing business only with those who believe in our WHY, trust emerges” (80).
While Sinek’s approach is thought-provoking, I see a clear conflict between it and a society that is rife with lawsuits against businesses who refuse to provide services, based on religious beliefs. I wish the author had addressed this issue instead of beating one simple idea to death with a tedious, repetitive writing style and relentless references to Apple Inc. Perhaps he also could have supplemented his few cherry-picked examples, by explaining why numerous industry-leading companies have achieved great success while clearly not following his why-centered philosophy. He also does not adequately address the connection between authenticity and advertising–couldn’t it be argued that the only difference between companies appearing to have a strong “why” and all the others is merely superior advertising strategies (not necessarily fundamental differences in philosophy and operation)?
Why I read it: My brother recommended it under circumstances I have since forgotten (I procrastinated on writing this review for far too long!).
Architecture in Photographs by Gordon Baldwin, 4/5
I enjoyed this little book, which contains a nice selection of photographs from the J. Paul Getty Museum along with a not-overwhelming amount of text about architectural photography’s venerable history. While a couple of the photographs left me shaking my head, completely unable to discern any artistic merit in them, the majority were inspiring and obviously captured with skill and care. In my experience, looking at good art is the easiest way to educate your eye as a photographer and this book provides plenty of inspiration. After reading it, I feel especially motivated to experiment with black and white photography, while not obsessing so much over cropping choices, lens distortion and making everything perfectly level.
Why I read it: I came across it while browsing in the library for light reading material to keep me entertained while cutting weight for an MMA fight two months ago.
Outliers: The Story of Success by Malcolm Gladwell, 2/5
Holy cherry-picked data, Batman! At least it’s hand-picked, I guess? That is about the nicest thing I can say for this book, which, though entertaining, smells like bad science. I can’t quite put my finger on it, but I think I’ve been exposed to enough good research and logical reasoning (thank you Daniel Kahneman and David Hackett Fisher) to recognize the sketchy stuff. The thesis is all over the place, ending with a laughable call to action that sounds great on the surface (let’s give everyone the same opportunities in life so they can all achieve success) but is idiotic in context (let’s wave our enlightened magic fairy wand and give everyone identical backgrounds, community, family legacy, historical timing, interests and skills, so everyone can be super successful genius millionaires). Frustratingly, this book’s popularity was inevitable–who doesn’t like to read a good success story AND be told that it isn’t all due to talent, you unluckily ordinary human being with untold potential, you.
Why I read it: Heard about it from my Dad, who thought it would be fun if I read it (I’ve been avoiding Gladwell for years).
Confessions of a Casting Director: Help Actors Land Any Role with Secrets from Inside the Audition Room, by Jen Rudin, 3/5
This book provides an interesting perspective into the more prosaic side of glamorous showbiz. I really enjoyed the variety of personal anecdotes, not just from the author, but from a variety of people associated with the entertainment industry. The whole audition circuit sounds intense and I’m amazed how much rejection aspiring actors can endure while still maintaining the will to live. I guess it helps that the focus seems more on finding “the one” for each role than on weeding out bad actors. So even if you’re not “the one,” it doesn’t mean there’s anything wrong with you. The author’s attitude is very positive and encouraging overall, giving all-purpose advice that emphasizes the importance of professionalism and self-confidence.
Why I read it: thought it looked interesting while wandering around the library.
Beach Stones, photography by Josie Iselin, text by Margaret W. Carruthers, 5/5
Great photography and informative descriptions make for a book that is as beautiful as it is interesting.
Why I read it: a random library find.