Clanlands: Whisky, Warfare, and a Scottish Adventure Like No Other by Sam Heughan and Graham McTavish, 2/5
From a literary perspective, it’s frankly shocking that something so closely resembling a shared Google Doc rough draft somehow survived the publishing process and exists in book form. Unpolished, unfocused, and overflowing with “cringe,” this book waffles between authors’ perspectives just like it waffles between travelogue, memoir, history and reality TV pitch. There were a few humorous moments and interesting historical facts, but I don’t think it has much to offer anyone outside of its target audience–Heughligans and fans of Outlander. Perhaps surprisingly, given my opinion of the book, I did enjoy its associated TV show, Men in Kilts.
Why I read it: my mother-in-law generously lent me her brand new copy while we were on a hunting trip.
The Songlines by Bruce Chatwin, 4/5
A semi-fictitious scholar named Bruce (who, in sharing the author’s name, not-so-clearly provides literary license) explores the concept of “Songlines” or “Dreaming-tracks,” a musical interpretation of geography by which Aboriginal Australians understand the creation of the world and their place in it. Vivid characters and landscapes, described in short paragraphs with Chatwin’s succinct prose, have the power to transport the reader almost as surely as any vehicle to foreign lands.
Why I read it: I recognized the title in the thriftstore from reading Chatwin’s In Patagonia.