Rebecca

rebecca du maurier doubledayRebecca by Daphne du Maurier, 4/5

This classic psychological thriller, with its unsettling, gothic atmosphere and ambiguously motivated characters, proves that “slow-burner” and “page-turner” are not mutually exclusive terms.  Du Maurier knows how to reveal just enough to keep her readers hooked without letting them quite know what is going on.  Ultimately, the characters seem a bit thin and the plot somewhat unsubstantial and uneven, but it’s the kind of book that will keep you up at night (reading, that is).

Why I read it: my mom watched the film versions, then got the book out of the library and enjoyed it.

The Song of Roland

song of roland luquiens 1970The Song of Roland, translated by Frederick Bliss Luquiens, 5/5

This epic tale of the betrayal and death of Roland at the hands of the Saracens clearly belongs in the company of other great epics, such as Gilgamesh, the Iliad and Beowulf.   There is a timelessness and inevitability to the events in this poem that make you forget for a while that mythical heroes don’t walk the earth (though villains of mythical stature seem to).  In my opinion, Luquiens’ translation in unrhymed iambic pentameter is tasteful and conveys poetic beauty without pretension.

Why I read it: one of those famous works I’d heard about but never actually read.  Update: now I’ve read two versions–here’s a link to my review of the second.

The Official Dictionary of Sarcasm

official dictionary of sarcasm napoli sterling innovation 2010The Official Dictionary of Sarcasm: A Lexicon for Those of Us Who Are Better and Smarter Than the Rest of You by James Napoli, 1/5

If I didn’t know the definition of “sarcasm” before starting this book, I’d soon come to the conclusion that it means “cringeworthy attempts at humor by an amateur stand-up comedian as he bombs his first gig.”  I suffered through the entire “A” section before coming to terms with the fact that there was no earthly reason to continue reading.

Why I read it: it was a gift from a family member years ago.

Subterranean Britain

subterranean britain crawford st martin's press 1979Subterranean Britain: Aspects of Underground Archaeology, edited by Harriet Crawford, 3/5

This strange collection of essays taught me more than I ever thought I wanted to know about prehistoric mining and Irish souterrains.  As always, it’s humbling to read about prehistoric people knowing how to do stuff that I wouldn’t have the first clue about.  Though generally interesting, readable, and accompanied by helpful illustrations and photos, many of the essays did seem a bit outdated, even to my untrained eye.

Why I read it: I feel a slight connection to the topic as a result of visiting the awe-inspiring Winspit Quarry in England and there was a $5/bag sale at the used book store.

Winspit Quarry 2014

Winspit Quarry, 2014   ©omnirambles.com

 

 

Picture Quote–Miles Hassell, MD, and Mea Hassell

Picture Quote–G. Polya

Picture Quote–Thor Heyerdahl

The Poetry of Robert Frost

poetry of robert frost holt rinehart winston 1969The Poetry of Robert Frost: All eleven of his books–complete by Robert Frost, 5/5

I will always have a soft spot for Frost because his “Mending Wall” was the first poem to challenge my stubborn belief as a teenager that poetry must rhyme to be enjoyable.  That poem helped me develop an appreciation for the wordsmithing that can be involved in the creation of blank verse and enabled me to enjoy much more of this collection than I would have so many years ago.  Perhaps part of what makes Frost accessible is his evident love of nature, his ability to find inspiration in simple things and his avoidance of the self-indulgent, wilful obscurity that plagues so much art, in my opinion (i.e. if you can’t understand it, that must mean the creator was a genius, and if you can manage to read deep meaning into it, guess what…the creator must have been a genius).

Why I read it: I think I originally bought this to send to my brother because he doesn’t like poetry much…yet.  Unfortunately for him, I think I must keep it instead.

Because I can’t resist, here are just a couple of my favourite poems from this collection (of which they are not strictly representative):

REVELATION

We make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone really find us out.

‘Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.

But so with all, from babes that play
At hide-and-seek to God afar,
So all who hide too well away
Must speak and tell us where they are.

 

BOND AND FREE

Love has earth to which she clings
With hills and circling arms about–
Wall within wall to shut fear out.
But Thought has need of no such things,
For Thought has a pair of dauntless wings.

On snow and sand and turf, I see
Where Love has left a printed trace
With straining in the world’s embrace.
And such is Love and glad to be.
But Thought has shaken his ankles free.

Thought cleaves the interstellar gloom
And sits in Sirius’ disc all night,
Till day makes him retrace his flight,
With smell of burning on every plume,
Back past the sun to an earthly room.

His gains in heaven are what they are.
Yet some say Love by being thrall
And simply staying possesses all
In several beauty that Thought fares far
To find fused in another star.

 

ESCAPIST–NEVER

He is no fugitive–escaped, escaping.
No one has seen him stumble looking back.
His fear is not behind him but beside him
On either hand to make his course perhaps
A crooked straightness yet no less a straightness.
He runs face forward. He is a pursuer.
He seeks a seeker who in his turn seeks
Another still, lost far into the distance.
Any who seek him seek in him the seeker.
His life is a pursuit of a pursuit forever.
It is the future that creates his present.
All is an interminable chain of longing.

There Was a Horse

there was a horse fenner pitz 1941 alfred a knopfThere Was a Horse: Folktales from Many Lands, selected by Phyllis R. Fenner, 5/5

This enjoyable collection of horse-themed legends from a variety of cultures is most notable for its fantastic pen and ink illustrations by Henry C. Pitz.

Why I read it: the title and spine detail caught my eye in a bookstore.