Tagged: 5/5

Mots D’Heaures: Gousses, Rames

mots dheaures gousses rames rooten angus and robertson 1968Mots d’Heaures: Gousses, Rames: The d’Antin Manuscript edited and annotated by Luis d’Antin Van Rooten, 5/5

This might be the strangest and most ingenious premise for a book I have ever seen–even after reading it, I still don’t really see how it’s possible.  It is a collection of poems written in French that, when read aloud, sound like Mother Goose rhymes being read in English with a thick French accent.  The author supplies entertaining footnotes that attempt, with varying degrees of success, to make sense of the “original” French.

Here’s an example for “Little Bo Peep”:

Little Bo Peep
has lost her sheep
and doesn’t know where to find them;
leave them alone and they will come home
wagging their tails behind them.

Lille beau pipe
Ocelot serre chypre
En douzaine aux verres tuf indemne
Livre de melons un dé huile qu’aux mômes
Eau à guigne d’air telle baie indemne.

Why I read it: My friend, Alison (whose own book, Entropy Academy, is soon to be released), gave this book to me while I was taking a French language class.  Hearing the verses read aloud in her English accent was a hilariously bizarre experience.

N.B. There is a German version of this concept called Mörder Guss Reims.

Aku-Aku

aku-aku heyerdahl rand mcnally 1958Aku-Aku: The Secret of Easter Island by Thor Heyerdahl, 5/5

This account of the first serious archaeological expedition to Easter Island could not be more exciting if it were set on a different planet entirely.  Heyerdahl and his crew unearthed ancient statues, carvings and structures that had never been seen by outsiders before and some of their finds amazed the native residents as much as themselves.  Even second-hand, the thrill of exploration and discovery was intoxicating.  I did experience moral qualms caused by the author’s sometimes manipulative approach to wheedling secrets out of the islanders and it was a bit disturbing how willingly they seemed to trade their ancient artifacts for cigarettes.  Still, it wasn’t a completely one-sided relationship–the expedition uncovered new statues, shed light on the island’s history, corroborated some of the local legends and encouraged the native people to remember their past and even revive some almost-forgotten traditional skills.

Why I read it: I’ve been an admirer of Heyerdahl since reading Kon-Tiki and wanted to read this book also before visiting the Kon-Tiki museum in Oslo, Norway, with my brother next month.

A picture quote I made:

A picture quote from Aku-Aku by Thor Heyerdahl.  "I had so much to think about, and one thinks best alone under the stars."

Historians’ Fallacies

historians fallacies hackett fischer harper perennial 1970Historians’ Fallacies: Toward a Logic of Historical Thought by David Hackett Fischer, 5/5

Fallacies everywhere!  Browsing through eleven categories of faulty reasoning, all illustrated by examples from published works of historical scholarship, made me feel like a kid in a candy shop.  My initial reservation–that it isn’t very respectable to do nothing but pick apart the works of one’s colleagues–was satisfactorily addressed in Fischer’s deliciously cogent introduction to the book.  Here, the author acknowledges the dual impossibility and necessity of defining a logical approach to the study of history and justifies his negative method with the respectable goal “to extract from these mistakes [in other historians’ reasoning] a few rough rules of procedure” (xviii).

Though some may find his approach off-puttingly critical, the author is no intellectual slouch–many of the fallacies he addresses are so subtle that I am impressed he could identify them at all, much less find relevant examples in the wild.  Though the topic is very specific, the application is broad–historians aren’t the only ones who are susceptible to fallacies of question-framing, factual verification, factual significance, generalization, narration, causation, motivation, composition, analogy, semantical distortion and substantive distraction.

Why I read it: The title caught my eye as I was browsing through Easton’s Books.  The owner was so surprised that someone was actually interested in the book (he’d almost thrown it out, thinking no one would ever buy it) that he gave me a discount and said I’d made his day.

A picture quote I made:

The Terrible and Wonderful Reasons Why I Run Long Distances

terrible and wonderful reasons why i run long distances inman oatmeal andrews mcmeel 2014The Terrible and Wonderful Reasons Why I Run Long Distances by Matthew Inman (aka The Oatmeal), 5/5

Inman’s reasons for running may be much more terrible and wonderful than my own (just as his conception of “long distances” is much longer), but a lot of this hilarious book resonated with me.  On a side note: I’ve never read a collection of comics containing more illustrations of Nutella.

[Why I read it: I enjoy Inman’s webcomic, The Oatmeal, and this book came up in conversation with one of Dad’s coworkers.  I’d actually almost bought it in a store just a few days previous before remembering that 5 Very Good Reasons to Punch a Dolphin in the Mouth was collecting dust on my shelf after being read just once.  I hit the library up instead, which I guess makes me a bad fan.]

Jonathan Strange & Mr Norrell

jonathan strange and mr norrell clarke bloomsbury 2015Jonathan Strange & Mr Norrell by Susanna Clarke, 5/5

I knew that I was going to love this intimidatingly large novel as soon as I read the caption for the opening illustration (of a sour old man reading a book): “He hardly ever spoke of magic, and when he did it was like a history lesson and no one could bear to listen to him.”  Clarke somehow overcomes a contradiction in terms to tell a plausibly fantastic tale about the revival of “practical” magic in England.  The story flows well and is never boring, though it does wear thin near the end, perhaps because the author has a talent for humorous and clever descriptions but her observational style is not conducive to much psychological depth or character development.  However, I found it to be a charming read and quite possibly the best debut novel I’ve ever encountered.

[Why I read it: I saw a couple cool GIFs from the BBC miniseries version, but happily decided that I should give the book a chance first.]

Infrastructure

infrastructureInfrastructure: A Field Guide to the Industrial Landscape by Brian Hayes, 5/5

I haven’t experienced many books that I would call “life-changing,” but this astounding work is certainly one of the few.  Inexplicably, Hayes is able to take a topic that seems, at best, slightly off-putting, and turn it into 500 pages of some of the most engrossing reading material I have ever encountered.  Covering everything from power plants to mining, his addictive prose entices the reader from fact to fact until it is difficult to even imagine a mindset in which a laden telephone pole does not seem a thing of beauty and a steel mill a thing of wonder.  What could have been the world’s most boring textbook seems instead a labour of love and curiosity, radiating passion and good humour while communicating a staggering amount of information about the inner (and outer) workings of industry.  Even the numerous photos (taken by the author) are noteworthy for their high quality and artistic composition.

So why did I find this book to be life-changing?  In part, because it made me realise that there is no topic either dry or boring, but writing makes it so.  This opens up worlds – no longer do I need worry about finding interesting topics, I only need to find interesting authors.  Secondly, this book opened my eyes to the appeal of industrial structures and the beauty of their functionality.  What was once unsightly (or at least, unseen), such as cell towers, water treatment plants, power substations, overpasses, etc. has a new fascination for me.

It’s certainly not like me to drool praise so lavishly, but there is no denying that Infrastructure transcends my measly five-point rating system and, if there was a higher score than “perfect,”  would surely deserve it.

[Why I read it: it caught my eye as I wandered through the library.]