Category: Reviews
Elmore Leonard’s 10 Rules of Writing
Elmore Leonard’s 10 Rules of Writing by Elmore Leonard, 4/5
It’s a bit backwards that a short essay about writing is my first introduction to this author, however Leonard’s fascinating goal to “remain invisible” in his writing and the many similarities between his philosophies and those of screenwriter William Goldman, make me very eager to read more by him.
Why I read it: I very much enjoyed the TV show Justified, which was based on some of Leonard’s short stories. The show’s dialogue was especially good, so I am curious how much of that is a reflection of the source material (judging from this essay, I’m guessing a lot). Also, in researching Leonard, I found that his novels have been the inspiration for many movies, such as Mr. Majestyk, 3:10 to Yuma and Jackie Brown, which makes him even more interesting.
Wrestling Tough
Wrestling Tough: Dominate Mentally on the Matt by Mike Chapman, 4/5
Filled with true stories of hard work, heart and the historic wins and losses of legendary wrestlers, this book helps put the small scrapes and bruises from my once-a-week wrestling class into perspective. Chapman provides an inspiring introduction to the wrestling greats and an in-depth exploration of the mental characteristics they seem to share with each other (and accomplished athletes in all sports). Probably the most useful thing I learned from this book is how important the mental game is–even someone who has put in the hard work to develop a talent can lose to a less talented person who wants it more. It’s not just about the physical moves, it’s about commitment, focus and knowing what you want.
While the book has a lot to offer, it frustratingly spends much more time describing winning qualities than explaining how to actually acquire them. Also, there is a logical weakness to the author’s approach–just because you can find examples of winners who have a certain attribute doesn’t mean that there aren’t winners who lack that attribute, or even losers who have it in buckets. In order to be truly compelling, I feel the book would have to focus not just on the characteristics of successful athletes, but how they differ from their less successful fellows.
Why I read it: Stephan Kesting mentioned it on grapplearts.com as one of his favorite sports psychology books, which put it on my radar. Trying to get in a good mental space for an upcoming BJJ tournament moved it up on my list.
The Song of Roland
The Song of Roland, translated by Frederick Goldin, 5/5
I can’t say I enjoyed reading this second translation of the epic poem as much as the first, but that is probably not a reflection of each version’s merit so much as the fact that reading The Song of Roland twice in two weeks is too much. Goldin’s translation is longer and seems much more true to the original from a grammatical point of view, but I found it to be less accessible than Luquiens’ version, which is more emotional and dramatic, while being less wordy. There is a sort of Old Testament rhythm and repetitive style to Goldin’s work that made it difficult not to zone out while reading.
Here is the opening laisse from each version for comparison:
Charles the King, our Emperor, the Great,
has been in Spain for seven full years,
has conquered the high land down to the sea.
There is no castle that stands against him now,
no wall, no citadel left to break down–
except Saragossa, high on a mountain.
King Marsilion holds it, who does not love God,
who serves Mahumet and prays to Apollin.
He cannot save himself: his ruin will find him there. AOI.
-Translated by Frederick Goldin
Charles the great King, lord of the land of France,
Has fought beyond the hills for seven years,
And led his conquering host to the land’s end.
There is but one of all the towns of Spain
Unshattered–grim Saragossa, mountain-girt,
Held by Marsila, King of Spain, of those
Who love not God and serve false gods of stone
Brought from the shores of Araby.–Happless King!
Your hour is come, for all your gods of stone.
-Translated by Frederick Bliss Luquiens
Rebecca
Rebecca by Daphne du Maurier, 4/5
This classic psychological thriller, with its unsettling, gothic atmosphere and ambiguously motivated characters, proves that “slow-burner” and “page-turner” are not mutually exclusive terms. Du Maurier knows how to reveal just enough to keep her readers hooked without letting them quite know what is going on. Ultimately, the characters seem a bit thin and the plot somewhat unsubstantial and uneven, but it’s the kind of book that will keep you up at night (reading, that is).
Why I read it: my mom watched the film versions, then got the book out of the library and enjoyed it.
The Song of Roland
The Song of Roland, translated by Frederick Bliss Luquiens, 5/5
This epic tale of the betrayal and death of Roland at the hands of the Saracens clearly belongs in the company of other great epics, such as Gilgamesh, the Iliad and Beowulf. There is a timelessness and inevitability to the events in this poem that make you forget for a while that mythical heroes don’t walk the earth (though villains of mythical stature seem to). In my opinion, Luquiens’ translation in unrhymed iambic pentameter is tasteful and conveys poetic beauty without pretension.
Why I read it: one of those famous works I’d heard about but never actually read. Update: now I’ve read two versions–here’s a link to my review of the second.
Steal Like An Artist
Steal Like An Artist: 10 Things Nobody Told You About Being Creative by Austin Kleon, 5/5
The 10 points about creativity that form the backbone of this little book are deceptively simple (even unimpressive) at first glance. Happily, my first impression was wrong–the author uses this list merely as a starting point for an encouraging and inspiring discussion about artistic creativity. Reading this book first normalised, then challenged, many of the negative feelings that have caused me in the past to describe myself as an uncreative person.
- Steal like an artist.
It’s refreshing to hear someone creative admit that “every new idea is just a mashup or a remix of one or more previous ideas” (9). - Don’t wait until you know who you are to get started.
- Write the book you want to read.
This is so much more inspiring than the advice to “write what you know.” - Use your hands.
- Side projects and hobbies are important.
Having a wide variety of interests can be difficult and it’s sometimes tempting to feel like a loser for not focusing on just one. Kleon doesn’t make a particularly convincing case for his advice of “don’t throw any of yourself away” (68), but I do like the idea that “what unifies your work is the fact that you made it” (72). - The secret: Do good work and share it with people.
- Geography is no longer our master.
- Be nice. (The world is a small town.)
- Be boring. (It’s the only way to get work done.)
It may not be living the dream, but having a boring day job can give you the financial freedom to pursue creative endeavors. Kleon points out that, contrary to instinct, “establishing and keeping a routine can be even more important than having a lot of time” when it comes to being creative (124). - Creativity is subtraction.
Why I read it: Imgur user morganic mentioned this book in a comment on a photography post.
The Official Dictionary of Sarcasm
The Official Dictionary of Sarcasm: A Lexicon for Those of Us Who Are Better and Smarter Than the Rest of You by James Napoli, 1/5
If I didn’t know the definition of “sarcasm” before starting this book, I’d soon come to the conclusion that it means “cringeworthy attempts at humor by an amateur stand-up comedian as he bombs his first gig.” I suffered through the entire “A” section before coming to terms with the fact that there was no earthly reason to continue reading.
Why I read it: it was a gift from a family member years ago.
Subterranean Britain
Subterranean Britain: Aspects of Underground Archaeology, edited by Harriet Crawford, 3/5
This strange collection of essays taught me more than I ever thought I wanted to know about prehistoric mining and Irish souterrains. As always, it’s humbling to read about prehistoric people knowing how to do stuff that I wouldn’t have the first clue about. Though generally interesting, readable, and accompanied by helpful illustrations and photos, many of the essays did seem a bit outdated, even to my untrained eye.
Why I read it: I feel a slight connection to the topic as a result of visiting the awe-inspiring Winspit Quarry in England and there was a $5/bag sale at the used book store.
Winspit Quarry, 2014 ©omnirambles.com
The Poetry of Robert Frost
The Poetry of Robert Frost: All eleven of his books–complete by Robert Frost, 5/5
I will always have a soft spot for Frost because his “Mending Wall” was the first poem to challenge my stubborn belief as a teenager that poetry must rhyme to be enjoyable. That poem helped me develop an appreciation for the wordsmithing that can be involved in the creation of blank verse and enabled me to enjoy much more of this collection than I would have so many years ago. Perhaps part of what makes Frost accessible is his evident love of nature, his ability to find inspiration in simple things and his avoidance of the self-indulgent, wilful obscurity that plagues so much art, in my opinion (i.e. if you can’t understand it, that must mean the creator was a genius, and if you can manage to read deep meaning into it, guess what…the creator must have been a genius).
Why I read it: I think I originally bought this to send to my brother because he doesn’t like poetry much…yet. Unfortunately for him, I think I must keep it instead.
Because I can’t resist, here are just a couple of my favourite poems from this collection (of which they are not strictly representative):
REVELATION
We make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone really find us out.
‘Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.
But so with all, from babes that play
At hide-and-seek to God afar,
So all who hide too well away
Must speak and tell us where they are.
BOND AND FREE
Love has earth to which she clings
With hills and circling arms about–
Wall within wall to shut fear out.
But Thought has need of no such things,
For Thought has a pair of dauntless wings.
On snow and sand and turf, I see
Where Love has left a printed trace
With straining in the world’s embrace.
And such is Love and glad to be.
But Thought has shaken his ankles free.
Thought cleaves the interstellar gloom
And sits in Sirius’ disc all night,
Till day makes him retrace his flight,
With smell of burning on every plume,
Back past the sun to an earthly room.
His gains in heaven are what they are.
Yet some say Love by being thrall
And simply staying possesses all
In several beauty that Thought fares far
To find fused in another star.
ESCAPIST–NEVER
He is no fugitive–escaped, escaping.
No one has seen him stumble looking back.
His fear is not behind him but beside him
On either hand to make his course perhaps
A crooked straightness yet no less a straightness.
He runs face forward. He is a pursuer.
He seeks a seeker who in his turn seeks
Another still, lost far into the distance.
Any who seek him seek in him the seeker.
His life is a pursuit of a pursuit forever.
It is the future that creates his present.
All is an interminable chain of longing.
There Was a Horse
There Was a Horse: Folktales from Many Lands, selected by Phyllis R. Fenner, 5/5
This enjoyable collection of horse-themed legends from a variety of cultures is most notable for its fantastic pen and ink illustrations by Henry C. Pitz.
Why I read it: the title and spine detail caught my eye in a bookstore.
OmniRambles 