Category: Reviews
Von Ryan’s Express

Von Ryan’s Express by David Westheimer, 4/5
The movie portrayal of this suspenseful WWII prison escape story was a beloved family favorite at my house, growing up, and I’m embarrassed to admit my shock upon discovering, much later, that it did not in fact portray a true event, but was based on a work of historical fiction. Despite substantial differences between film and novel, I really enjoyed the latter’s believable personalities, exciting events, and overall tone of confident authenticity that no doubt can be attributed to the author’s firsthand POW experience.
Why I read it: A recommendation from my sister, who lent me her copy.
All That the Rain Promises and More…

All That the Rain Promises and More: A Hip Pocket Guide to Western Mushrooms by David Arora, 5/5
Don’t be fooled by the frankly insane cover photo and title–this helpful book is packed with color photographs and well-organized descriptions of the most common mushrooms found in the western United States, interspersed with additional info, poetry, recipes, and anecdotes collected from the mycophile community. Yes, it’s a little silly at times, but the author is deeply knowledgeable about the topic and I appreciate the sense of humor and passion that are reflected in this conveniently-sized book. I found the closing essay to be particularly compelling on the topic of over-regulation of hunting/gathering activities:
“In other words, the largely urban-suburban vision of nature as a beautiful, peaceful refuge from the stresses and conflicts of civilization, is in fundamental conflict with the rural or less “civilized” perception of nature as a provider of sustenance and wealth. Therein lies a great irony: it is the cities that suck food, energy, and resources from the landscape, yet there is a long and tragic history of industrial and agricultural peoples persecuting “savage” outsiders (in the most literal sense of the word) who hunt and gather (253).”
…
“No doubt the admonition to “take only photographs, leave only footprints,” is desirable in certain sensitive or pristine areas. But it is inappropriate in most situations because it is a fundamental denial of who we are: creatures of the earth whose most ancient heritage (or birthright, if you will) is foraging for food in the forest.
This enforced separation of human being from the natural world can only undermine support for the public acquisition and protection of habitat. The more we view the forests and fields as a resource […] the more likely we are to cherish that resource (254).”Why I read it: I find mushrooms fascinating and love to spot them around the yard.
The Hidden Hand

The Hidden Hand by Mrs. E.D.E.N. Southworth, 3/5
I was annoyed to realize, after finishing this novel, that I had already read and reviewed it fourteen years ago! Interestingly, I felt pretty much the same about it this time around as I did before. However, this vintage edition was more pleasant than the previous one and did not contain so many italics. There was still an unusual (one might say, excessive) amount of exclamation points, but they did not rankle like before. Perhaps I am mellowing grammatically as the years go by.
Why I read it: a recommendation and loan from my sister.
My Favorite Intermissions

My Favorite Intermissions: Lives of the Musical Greats and Other Facts You Never Knew You Were Missing by Victor Borge and Robert Sherman, 5/5
I half-expected this collection of loosely opera-themed musical anecdotes to be outdated and cringey, but I was so wrong. The passage of time and changing tastes have not dampened Borge’s trademark hilarity.
Why I read it: I loved watching Victor Borge on VHS as a child and this book was a welcome thrift store find.
The Perfect Guide to Sumo

The Perfect Guide to Sumo in Japanese and English by Katsuharu Ito, translated by David Shapiro, 4/5
This small book on a large topic is packed with minuscule text and beautiful, historic artwork. I wish it were available in a larger, better edited format that would do justice to the informative dual-language text and generous illustrations.
Why I read it: my husband and I are fans of sumo.
Tomorrowmind

Tomorrowmind: Thriving at Work with Resilience, Creativity, and Connection–Now and in an Uncertain Future by Gabriella Rosen Kellerman and Martin Seligman, 1/5
This book not only represents everything that is classically hateable about pop psychology and the self-help genre, it plumbs new depths of dystopian deception. To be fair, there were warning signs, starting with the point in the introduction at which the authors straight-facedly suggest PRISM as a “handy (if out of order) acronym” to remember the concepts of resilience and cognitive agility (R), meaning and mattering (M), rapid rapport to build social support (S), prospection (P), and creativity and innovation (I). That peculiarly unhelpful scrambled egg of an acronym should have been my clue to close the covers and move on down my to-read list. Unfortunately, I decided to wade through a repetitive, half-baked, jargon-laden mess that ultimately morphed into a sales pitch for BetterUp, written by its chief product officer (Kellerman) and, as a little further research quickly revealed, the namesake of BetterUp’s foray into artificial intelligence–MartyAI.

How dark is that? Not only does Tomorrowmind fail to provide anything of value to readers struggling to cope with the stress of an increasingly volatile, technology-driven, future-oriented work environment, the authors actually manage to leverage that same audience in support of their own contribution to the dystopian future they pretend to address–offering the life coaching services of a lifeless, ai-powered chatbot. Ironically, Kellerman and Seligman have achieved more success by pivoting their psychology careers to address modern times than many of the people they use as positive examples in their book. Needless to say, their success hasn’t come from subscribing to life coaching services, buying self-help books, or applying the muddled concepts on view in this embarrassment of a contribution to literature.
Why I read it: The topic sounded interesting and I had respect for Seligman based on his book Learned Optimism.
Bel Canto

Bel Canto: A Novel by Ann Patchett, 5/5
This exquisitely written character study of a group of hostages and their guerilla captors is effortlessly beautiful and surprisingly well paced, given the confined context provided by the story’s extreme constraints with regard to location and plot. Like a poet adhering to a particular rhyme scheme, the author works within these constraints to explore the inner workings and relationships of a seemingly disparate cast, including a world-famous soprano, her most devoted admirer, rebel generals, child soldiers, assorted international businessmen, and the translator whose language skills link them all together.
Why I read it: I encountered a glowing review on Facebook, which was almost definitely, in retrospect, written by AI.
Winterset Hollow

Winterset Hollow: A Novel by Jonathan Edward Durham, 1/5
I respect the hard work and courage required of first-time novelists, but…this was so bad. At the heart of this fantasy story is an imaginary work of poetry, supposedly written in the early 1900s and of enduring popularity and influence. Unfortunately, the poetry excerpts throughout the book are not convincing at all: for no apparent reason, the introductory verses and a handful of other snippets are in a different rhyme scheme than all the rest, and the overall effect is not consistent with the work’s era of origin. As a lover of poetry, it was hard to maintain suspension of disbelief in the face of verses like the following (21-22):
You know I love it here, said Runny, you know I am a happy bunny
But still I wish to spread my wings and fly beyond the trees
I promise you that I’ll be back, I promise I’m not lying, Flack
I promise I just need to go see what I need to see
And with those words, his shoulders dropped, and Runny hopped a might hop
And turned to face the hedgerow that he’d known for all this time
And jump, he did, as rabbits do, for this was sad for Runny too
It was no treat to go and leave his bestest frog behind
Poetry aside, the descriptive passages are self-indulgently tedious, like someone telling you every detail of a dream they had the other night. The author’s word choices are often contrived in their novelty, trampling across the line between “inventive” and “incorrect.” Words used in unexpected ways are usually a sign of excellent writing, but not when they fail to enhance the effect of the text and merely serve as a distraction. I was particularly baffled by the appearance of the word “ingrace” in three different contexts, none of which were consistent with the solitary dictionary definition (from 1913) that exists online. Adding to my annoyance were petty complaints like an increasingly repetitive use of “well” as an intensifier towards the end of the book (I guess you could say I was well annoyed by it), multiple instances of comparing things to lanterns, and more than one reference to “serendipity.” Scenes of gruesome violence and a somewhat banal plot twist work feverish overtime to cover for characters lacking in depth and development. The cover blurb by Diana Gabaldon (author of the Outlander series) describing Winterset Hollow as “astonishingly powerful and multilayered” is so ridiculous in light of the book’s crucial shortcomings that I have to assume she was treating the review as a creative writing exercise.
Why I read it: The author is absolutely hilarious on Instagram.
We Who Wrestle with God

We Who Wrestle with God: Perceptions of the Divine by Jordan B. Peterson, 4/5
A good indicator of Truth with a capital T is that the insights it produces expand the mind and effortlessly illuminate even the darkest corners of a topic, where lesser conceptions fear to tread. There are not many corners more dark than the blood-soaked, primal tales of the Old Testament around which Peterson’s bold and wide-ranging existential exploration occurs. More than just an in-depth character study of God, as revealed through crucial episodes of the Old Testament, this substantial work explores our relationship with the intangible realities of existence on both an individual and societal level, and the codification of these eternal truths into our oldest and most meaningful stories.
Free of the timeworn arguments and vocabulary of Christian apologetics, Peterson’s approach is sure to earn him a “straight to hell” label from many (and not just fundamentalists). I will admit to feeling an uneasy chill, that only others with a religious background would likely understand, at the language of the last couple paragraphs in particular. I won’t go into detail, though, because given the context of the previous 500+ pages, I believe the issue is merely evidence of the author’s tendency to follow a train of thought wherever it may lead, even if it means committing the sin of entering new, unexplored territory in what is supposed to be concluding material. Speaking of sins, I must comment on the astounding number of typos and errors this book contains–by far the most I have ever encountered in a published work. Hopefully these will be rectified in future editions.
Lest I end this review on a sour note, let me re-iterate how amazed I am that a work so broad in scope could be, at the same time, incredibly nuanced. There is something inspired about Peterson’s perspective, which allows him to dissect the most challenging and abstract aspects of the human experience without killing its joy and mystery.
Why I read it: I was curious about Peterson’s theological beliefs, and trusted that he would have an interesting and intellectual approach to the topic.
Adulthood is a Gift!

Adulthood is a Myth Gift! A Celebration of “Sarah’s Scribbles” by Sarah Andersen, 3/5
This fifth book in the “Sarah Scribbles” collection contains some fun comics and fifteen illustrated, short essays of varying interest. I enjoyed learning about the process behind Andersen’s trademark style, even if it did steal a bit of the “magic.”
Why I read it: I visit sarahcandersen.com once in a while to catch up and saw that I was behind a couple books.
