Gilbert and Sullivan: Lost Chords and Discords by Caryl Brahms, 3/5

Even if the introduction did not acknowledge that the lives and careers of famous musical duo Gilbert and Sullivan was already a well-covered subject, the fact would be pretty obvious from the author’s incessant quotations and references to previously existing research. This college-research-paper approach is never the most appealing, and I was additionally put-off by the author’s many personal opinions throughout, grating self-references to “the present writer,” and comments that were difficult to understand (whether due to the passage of almost 50 years since the time of writing, or incorrect assumptions about the readers’ preexisting knowledge, is unclear).

Shortcomings aside, the book is generously illustrated and it was fascinating to read about the tumultuous, on-again-off-again relationship between an irascible lyricist and sickly composer, whose serious, classical works, though critically-acclaimed at the time, were soon eclipsed by the comic operas he considered beneath him.

Why I read it: a library reject that I bought from a book sale many years ago.